This volume was first published in 1957. Besides tracing the history and development of the Peking Theatre, it explains acting techniques, stage costume and symbolism, musical forms and the various types of plays.

First published in 1957. Besides tracing the history and development of the Peking Theatre, this volume explains acting techniques, stage costume and symbolism, musical forms and the various types of plays.

Nonlinear science is by now a well established field of research at the interface of many traditional disciplines and draws on the theoretical concepts developed in physics and mathematics. The present volume gathers the contributions of leading scientists to give the state of the art in many areas strongly influenced by nonlinear research, such as superconduction, optics, lattice dynamics, biology and biomolecular dynamics. While this volume is primarily intended for researchers working in the field care, has been taken that it will also be of benefit to graduate students or nonexpert scientist wishing to familiarize themselves with the current status of research.

The world of traditional Chinese drama can be at once fascinating and bewildering to the uninitiated Western observer. Attuned to his own dramatic conventions, he is hard put to apprehend the delicate fusion of poetry, music, and subtle gesture which is the essence of Chinese theatre. Because of these difficulties, the task of translating traditional Chinese drama must go far beyond the conventional literary treatment and evoke the entire world of stagecraft and directing.
"Longing for Worldly Pleasures (Ssu Fan") is a lyric monologue in which a young Buddhist laments the waning of her youth in the seclusion of the convent. The brief piece involves a complexity of mood which makes it an actor's tour de force, undertaken only by the most highly skilled performers.
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Fifteen Strings of Cash (Shih Wu Kuan)," a much longer play, is a comic murder mystery satirizing bureaucratic ineptitude in the administration of justice. The comic lead role of Lou the Rat is a virtuoso part which illustrates the intricate mimetic art of the traditional comic actor and was the play's main appeal to Chinese audiences.

One of the most comprehensive handbooks available on Kabuki theatre provides readers with all the information they need to understand and appreciate this exciting amalgam of dramatic and musical arts. A clear and thoughtfully written text describes the theater's development in the context of Japanese history, with detailed analyses of actors' techniques, music and dance, plays and playwrights, the playhouse's design evolution, and six representative Kabuki plays. Includes glossary of Japanese terms. Invaluable to students, scholars and anyone intrigued by classical Japanese theater.

A. C. Scott, a student of Chinese culture, traces the development of the novel, short story, and poetry; the theatre and dance; painting, the graphic arts, and sculpture; architecture; and music through the 20th century. He also discusses the artistic achievements of the Chinese outside of China.